— Acrylic on canvas by Minsk-based artist Savichz
The men of this city make animal
sounds as if to say
I got a slaughter with your neck
on it now how
you gonna walk with your psst-psst hidden
all your psst-psst hiding
and my tick-tick pointing
pants how now you gonna walk two-legged
with my panting your
stiff sniffable neck and my smick-smack with my
bone back watching—
Return of the Prodigal Muslim
Everybody knows the Enlightenment is dying. I don’t mean in the hells from which people board immigrant boats. It was never very alive here in the first place. I mean in the heavens to which the boat people seek suicidal access.
They end up drowning less for the love of the Postchristian West, it would seem, than out of despair with the Muslim East. Blame politics and economics, for sure. But could it be that all three phenomena – despair, poverty and dictatorship – are rooted in the same cultural impasse?
Today Brexits, Trumps and, let us not forget, the Islamic Invasion of Europe are spelling an Endarkenment all across the North, confining progressive and egalitarian principles to intensive care units. And I’m wondering what that could mean for despairing Muslims in the South.
.Can’t occupy the same space at the same time
unless, of course, you land in Dhaka, rickshaws
five or six abreast. They are all here:
studded metal backboards ablaze with red flowers,
The only window, in disrepair
Don’t come tonight, sad bat
Packing your head between my brows.
We have denied one another at times
In despair and in defeat. In vain
Face bumping at face,
The heart at the heart.
Investigating the relationship between humans and their (physical) environment is the focus of my work. Who we are is determined by our social environment and (family) history. How we build our self-esteem determines how we look to the outside world and how we respond to the other.
As I was preparing to pay for my purchase at a clothes store, the salesman touched my hand—suggestively. He did not apologize, nor did he shrink in embarrassment. Instead, he looked me in the eye, and I discovered that his eyes were fluttering slightly.
As a matter of fact, I was by no means shocked at the man’s touch. I have gradually grown accustomed to this kind of behavior. First are the unnecessary, sugary words, the persistently stalking steps throughout the shop, and then the obnoxious, abhorrent touches. Although it had happened many times before, yesterday I was baffled as to what to do. Maybe it was because my little brother, Abdullah, was really close too me when this occurred. He was leaning against the white wooden cashier stand, idly tracing with his fingertips the floral lace of my drapey overcoat coming out of the front of my unbuttoned abaya. He was standing on my left, and I felt the tickle of his fingertips in the midst of my bafflement.
A little girl walking through the woods on her way to her best friend’s house finds a small piece of paper. It is shiny and colorful, ripped from a magazine no doubt, with ragged edges and folded into halves – twice. I still don’t know what makes the little girl take that loose piece of paper into her hands. It is litter, really. But it will never be far from her for the next decade. From that day, she keeps it. Folded as she found it. She gently places it between the pages of The Little Prince or A Tree Grows in Brooklyn, perhaps Watership Down. Now and again she takes it out and unfolds it. Over the years, the piece of paper becomes worn and soft, as satin silk or lambskin chamois. Whitened, thin and frayed at the folds until it is too delicate to even open. But the girl keeps it. It has become her confidante.