Youssef Rakha: The Bad Lens Files

The way the world looks through my broken phone camera:

Antoine d’Agata says, “Photographers have to accept they can just convey fragments of illusory realities and relate their own intimate experience of the world. In this process of fictionalising an unreachable truth, it’s up to them to impose their doubts about any photographic truth, or accept being impotent pawns in the mediatic game.”

I’m interested in imposing my doubts about photographic truth. I’m interested in using photography the way I have used fiction and poetry to reflect on Cairo: to achieve a beauty that comes not from the subject but from the manner of its transformation into a consensual language – words or images, within a tradition – which is a process that occurs in the photographer, not in the photographed. My photos are small fictions that draw on and use reality. They are documents in the equivocal sense of artefacts that can evoke a variety of responses.

Sara Elkamel: Two Poems

Alfred Wallis, St. Ives, 1928. Source: tate.org.uk

[Architecture]

To build something together one last time
there are so many questions,
like who would live there,
and if no one, why build it?

In our panic we make a house
that looks like a boat,
which reminds me of dreaming
both of us were angels, sleeping at sea.

When we lay the boat down
in the cemetery of love,
we squat over one of its three windows,
and wave to ourselves through the glass.

 

 

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Rémy Ngamije: Little Brother (or, Three In The Morning)

Patrick Zachmann, César and his brother, 1984. Source: magnumphotos.com

“Hallo?” I say, voice still sleep-drunk. I sit up in bed.

“It’s me.”

My brother.

I don’t know why he’s calling me from an unknown number. My anger rouses itself and beats me to the mouthpiece. “I know. It’s three in the morning. What the fuck, dude?”

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Robin Moger: More Saniya Saleh

The only window, in disrepair

Francesca Woodman, “Untitled”, Rhode Island, 1975-78. Source: americansuburbx.com

Don’t come tonight, sad bat

Packing your head between my brows.  

We have denied one another at times 

In despair and in defeat. In vain

Face bumping at face,

The heart at the heart.

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