E.F. Fluff: Josie’s Numbers

Spider and The Bottle, “Hera” from “Father and Six Daughters series”, 2015. Source: gnypgallery.com

30 Second Quickie!

Wet horny college girls waiting for your call now!

Garish, bawdy and downright pornographic ads screamed from the back pages of the magazine. Pausing occasionally to push a wet strand of hair out of her open mouth – fingers shaking slightly – she thumbed through the pages, taking care to choose the right number for tonight. Fingertips slid gently across the buttons, their tinny responding beeps echoing into her dry mouth.

The electronic rotate of the connection signal ran a shiver from the heat of her ear to her mouth.

Bzz,

bzzz,

*click*

“Hi! My name’s Tina! And I’m a slim luscious blonde with firm thirty six double D breasts and I’m a gym instructor. Ever since I was sixteen I…”

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ML Kejera: Dash Thompson and the 21st Century Machine

Frida Kahlo, “The Suicide of Dorothy Hale”, 1938. Source: wikiart.org

for Stan Lee

I

In Which we Meet the Suicidal God

As silence booms in a dark room whose only light

is the dying kind radiating off a dying laptop,

Dave Daggert, a desolate, destitute young man,

just days from drowsing off at his own college graduation,

stirs what his dealer calls Dragon’s blood

into his glass of Jack Daniel’s and dry gin.

Soon, he thinks: my past-sins and would-be failures will

be flushed into the bin. Excusing his confusing of

toilets and trash cans, we must be patient with young,

desperate Dave for he knows not what lies in store for him.

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Bola Opaleke: Songs and Dances as a Cosmopolitan Village

Hamed Nada (1924-1990), Untitled, 1963. Source: bonhams.com

In the endlessness of life’s cyclical wheel, in the dangerous neutrality of man’s mortal effulgence, and or the cowardly barricade of the conflictual rhythms of his existence, he often misappropriates songs without adequately supplying the right dances to them.

“Don’t sing a song,” he said. “If you cannot find the perfect dance for it.”

Those were the exact words by my father (translated from Yoruba) in 1991 after I’d told him I wanted to join the Nigerian Army so one day I could be a military president. Years later, I would still, in my head, shuffle the judgmental finality of his words, probe at its proverbial complexity and perplexity, and ultimately resign from that variegated prodding of the wheel that will never cease to turn. A song is a song is a song, and a dance is a dance is a dance. Period!

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Robin Moger Translates Salah Abdessabour

The Daybook of Bishr the Barefoot

Abu Nasr, Bishr bin al-Harith, sought out debate and discussion and heard all that was said and so inclined to mysticism. And one day he was walking through the market when, taking fright at the people there, he removed his sandals and slipped them beneath his arms and set off running through the sunbaked stones and sand, and none could keep pace with him. This was in the year 227 AH.

Leopold Müller, A barefoot man in robes running while holding a stick, 1878. Source: Wikipedia

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Joseph Schreiber: And I Will Tell You Something

You said: I’m still here. I just don’t know what to say. But two weeks later, you were gone. And now I sit, words turned stale upon the page. Seems I’ve been here for months, rending sentences into syllables. Senseless. Torn and patched in vain.

I’m still here and you’re still gone.

You said: I don’t want to die. I just don’t want to live. But we didn’t want to hear, for fear your fear would unmask our own. We left you to your silent pain—let it erode the edges of your reserves, like waves, ceaseless, beating the shore—bruising, breaking your brash, butch swagger. Leaving fragments and splinters of you.

Bewildered, bipolar & blue.

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