The Fituwa: Salah Eissa’s Raya and Sakina in Robin Moger’s Translation

1928 Print. Source: periodpaper.com

The following excerpt is from Tales from the Nation’s Archive: Raya and Sakina’s Men: A social and political history, the late Salah Eissa’s vast and discursive study of the lives and the worlds of the notorious serial-killers Raya Bint Ali Al Hammam and her sister Sakina, and their husbands Hasballah Saeed Maraei and Mohammed Abdel Aal.

Raya and Sakina and their husbands were arrested in Alexandria in early 1921 on suspicion of murder and it soon became clear that they had been responsible for the disappearance of a number of women in the neighbourhood of Labban where they ran an illegal (unlicensed) brothel. They were thought to be guilty of the robbery and murder of at least seventeen women, many of whom had worked for them as prostitutes. They were hanged in 1921.

Public attention focused on the sisters: the combination of their gender and the violence, sexual promiscuity and general unashamed degradation of their lives generated a fascination which fed into the many films and plays that dealt with their murders.

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Antonio Denti: Notes on War in Times of Peace

Generations

I’d rather fight a war tomorrow than think my son might have to do it one day.

This sentence, which I know to be true, does not belong to me. It does not emanate from me. It inhabits me because I am part of this living planet. It originates in the deepest strata of life, in the mechanisms that regulate the way life is handed down from being to being, from generation to generation, across time. It does not make me any more courageous than the moderately frightened – or more heroic than the moderately selfish – man that I am.

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The Surviving Frame: Antonio Denti’s Video Stills of Syrian Refugees

IMG_0239

Mayarboli, Hungary. September 2015. Beauty of humans. A little Syrian girl – maybe 7 or 8 years old – holds a green apple and looks out the window of the special train that will take her from the Croatia-Hungary border on to Austria

 

Upstream

I drove alone from Rome to the Balkans to cover the refugee crisis on the borders of Eastern Europe in September 2015. I saw the physical and human landscape changing slowly. I saw the faces, and I heard the sound of the words. I saw history flowing from Florence to Venice, to Trieste, to the forests of Slovenia, to the Alps and the well kept chalets near Austria, to the flat agricultural peripheries deeper into the former Austro-Hungarian empire, eastwards, towards Serbia and Hungary…

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