Sara Elkamel: Two Poems

Alfred Wallis, St. Ives, 1928. Source: tate.org.uk

[Architecture]

To build something together one last time
there are so many questions,
like who would live there,
and if no one, why build it?

In our panic we make a house
that looks like a boat,
which reminds me of dreaming
both of us were angels, sleeping at sea.

When we lay the boat down
in the cemetery of love,
we squat over one of its three windows,
and wave to ourselves through the glass.

 

 

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Anna Iltnere: Cosmopolitanism

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From a manuscript of the Four Gospels in Boharic Coptic and Arabic, copied in Cairo in 1205. Source: ibiblio.org

What do you think “cosmopolitan” means in the contemporary world? I asked five writers and one artist from multiple backgrounds, with roots spreading across different parts of the world. If I could travel in time and ask Diogenes of Sinope in ancient Greece, he would most probably repeat what he famously said around 2400 years ago: “I am a citizen of the world (kosmopolitês)”.

Traveling back to 2019, novelist Chloe Aridjis reminds us that animals too are citizens of the world. Artist Ganzeer describes a cosmopolitan place without a single culture forcing itself as the hegemonic umbrella, while memoirist Jessica J. Lee highlights the strong power inherent to connecting distinct ways of being. Scholar Helen M. Rozwadowski warns against a cosmopolitanism that misses the multiplicity among cultures, peoples, and environments. For Youssef Rakha, editor of тнє ѕυℓтαη’ѕ ѕєαℓ, a cosmopolitan space is the only space to be, while for writer Fernando Sdrigotti it’s a chance to forget oneself for a while while one is lost in difference.  

 

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Karissa Lang: New People

Chinese ancestral worship postcard postmarked Shanghai 1908. Source: worthpoint.com

We all descend from someone ancient, and contrary to what is generally believed in the West, they never leave us. Whether you are mystical or logical in nature, the idea sticks. For the former, ancestors spiritually guide us from beyond the grave. For the latter, science now dictates that we genetically inherit their memories and phobias. Either way, an ancestor is someone who passes on information—be it through stories, values, behavior, DNA, or supernatural means—and what distinguishes a good ancestor from a bad one is the quality of this information: a good ancestor hands down wisdom, a bad one gifts us with their pain.

My mother is a bad ancestor and her mother was a bad ancestor too​, a​nd if I can’t be a good one, I’d at least like to be better. I come from a lineage of mothers who did not want children. Mean women, selfish women, indifferent women who resented where they came from and had no idea how to nurture what they’d created. Women who buried their aborted babies in the backyard. Women who abandoned their children to others. Women who raged without really knowing why. Absent women who felt unwanted and unloved and unconsciously groomed every last one of their descendants to experience the same.

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Alienation: A New Chapbook by Mahmoud Almunirawi

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Click the image to access the PDF

Sometimes I think about praying

Maybe in congregation with other Muslims

Afterwards, I would call my mum and tell her:

People liked my voice when I recited the Qur’an

This happens again and again

But I haven’t done it a single time since I left home

I did not even call and ask her how she is…

Mahmoud Almunirawi defines this PDF as an album of overexposed images of architecture and poems “written during my 5 years in Sweden. Together,” he writes, “they form an abstract biography of life events.” тнє ѕυℓтαη’ѕ ѕєαℓ, which posted some of these poems in the original Arabic, was not involved in editing the English text, which was translated from Arabic by Slimen Zougari.

Two Ways into Bara, by Zahreddine: Speaker of the Baran Tribe

(1)

Go to the street, ask for anything, it will be given to you.

BARA will have seized the monarchies and set their palaces ablaze.

There is a fellow population suffering.

To have lived it, later generations will assume it caused great conflict of the heart.

But, take my trials, they are too good for me.

Remember, the videos passed around.

am guilty.

There is nothing left to say.

White sheets compound the pavement.

Chemicals in the territory.

The revolution is a farce.

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Ulayya bint al-Mahdi’s Epigram by Yasmine Seale

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Gustav Klimt,  Adele Bloch-Bauer I, 1907. Source: Wikipedia

To love two people is to have it 

coming: body nailed to beams,

dismemberment.

But loving one is like observing

religion.

I held out until fever 

broke me. 

How long can grass

brave fire?

If I did not have hope

that my heart’s master’s

heart might bend to mine, 

I would be stranded, no

closer to gate than home.

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