Nadine Yasser: The Ballroom                                                                                       

Benjamin Shine, “Transcendence”, 2016. Source: boccaraart.com

I was wearing an orange dress, I had no clue why or how. I didn’t own a single item of clothing that was orange—nor did I ever plan to. I was in a ballroom. A stadium? No, a ballroom, a hotel ballroom. The same one I’d been to years ago when I had to go to some relative’s wedding. That was a strange day; I’d seen so many family members that I hadn’t seen in ages at that wedding. The music was so loud. I could feel judgmental eyes on me for staying at the table where the aunties sat instead of getting up and dancing with people my age. But the food was great that night, and it made up for the headache, the awkwardness, and the fact that I felt like a hostage to traditions the whole night. Meanwhile, this time there was no wedding. Instead, there were hundreds of people I knew and had met throughout my life. Most of the faces were blurry. I couldn’t tell if I was a blur to them too or not.

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